Falsely convicted of being a thief, lovely high-born Shemaine O'Hearn arrives in colonial Virginia from London on a convict ship
and is sold as an indentured servant to Gage Thornton, a local shipbuilder in need of a nanny for his young son. Shemaine is relieved to have such a handsome and generous master and eagerly undertakes unfamiliar domestic tasks in Gage's rustic cabin on the edge of the American wilderness. Even persistent rumors that Gage was responsible for his wife's violent and untimely death don't trouble her for long. But as Shemaine and Gage struggle to deal honorably with their growing desire in such close quarters, they're beset by enemies, both nearby and from afar, who are determined to rob them of their newfound happiness. Woodiwiss's lush, leisurely writing and heartwarming story will fully satisfy many of her loyal fans. --Ellen Edwards
From Library Journal
does a terrific job of characterization in this classic Woodiwiss romance. Although over the past 20 years the romance genre
has matured along with changing mores, Woodiwiss has not altered her style. Her prose remains lush and flowery; her characters are extremes: good/evil, beautiful/ugly, wealthy/poor. Her heroines are unrealistic even within the romance-as-fantasy concept. Shemaine O'Hearn hasn't bathed in three months, has spent the prior four days in a dark, rat-infested closet, and yet every man within sight lusts after her to the point of desperation. Women are vindictive toward her because she's beautiful. Merlington uses Irish and English accents to capture the characters' spirits with cadence and lilts, and she is able to move from demure to fiery, vulgar to innocent with barely a breath. Unfortunately, even her expert ministrations can't overcome the overall tedium of the story. Not recommended except where Woodiwiss has a very strong following.?Jodi L. Israel, Norwood, Mass.
Copyright 1998 reed business information
--This text refers to the Audio Cassette edition.
About the Author
(1939 - 2007) Kathleen E. Woodiwiss, creator of the modern historical romance, died July 6, 2007 in Minnesota. She had just turned 68. Her attorney, William Messerlie, said that she died after a long illness. Born on June 3, 1939 in Alexandria, Louisiana, Mrs. Woodiwiss was the youngest of eight siblings. She long relished creating original narratives, and by age six was telling herself stories at night to help herself fall asleep. At age 16, she met U.S. Air Force Second Lieutenant Ross Woodiwiss at a dance, and they married the following year. She wrote her first book in longhand while living at a military outpost in Japan. Woodiwiss is credited with the invention of the modern historical romance novel: in 1972, she released The Flame and the Flower
, an instant New York Times
bestseller, creating literary precedent. The Flame and the Flower
revolutionized mainstream publishing, featuring an epic historical romance with a strong heroine and impassioned sex scenes. "Kathleeen E. Woodiwiss is the founding mother of the historical romance genre," says Carrie Feron, vice president/editorial director of William Morrow and Avon Books, imprints of HarperCollins Publishers. Feron, who has been Woodiwiss's editor for 13 years, continues, "Avon Books is proud to have been Kathleen's sole publishing partner for her paperbacks and hardcover novels for more than three decades." Avon Books, a leader in the historical romance genre
to this day, remains Mrs. Woodiwiss's original and only paperback publisher; William Morrow, Avon's sister company, publishes Mrs. Woodiwiss's hardcovers. The Flame and the Flower
was rejected by agents and hardcover publishers, who deemed it as "too long" at 600 pages. Rather than follow the advice of the rejection letters and rewrite the novel, Mrs. Woodiwiss instead submitted it to paperback publishers. The first publisher on her list, Avon, quickly purchased the novel and arranged an initial 500,000 print run. The novel sold over 2.3 million copies in its first four years of publication. The success of this novel prompted a new style of writing romance, concentrating primarily on historical fiction tracking the monogamous relationship between a helpless heroines and the hero who rescued her, even if he had been the one to place her in danger. The romance novels which followed in her example featured longer plots, more controversial situations and characters, and more intimate and steamy sex scenes. "Her words engendered an incredible passion among readers," notes Feron. Bestselling author Julia Quinn agrees, saying, "Woodiwiss made women want to read. She gave them an alternative to Westerns and hard-boiled police procedurals. When I was growing up, I saw my mother and grandmother reading and enjoying romances, and when I was old enough to read them myself, I felt as if I had been admitted into a special sisterhood of reading women." New York Times
bestselling author Susan Elizabeth Phillips, a leading voice in the women's fiction arena, says, "We all owe our careers to her. She opened the world of romance to us as readers. She created a career for us to go into." The pioneering author has written 13 novels over the course of 35 years, all New York Times
bestsellers. Kathleen E. Woodiwiss's final literary work, the upcoming Everlasing
, will be published by William Morrow in October 2007. "Everlasting
is Kathleen's final gift to her fans," notes Feron. Kathleen E. Woodiwiss, who was predeceased by her husband and son Dorren, is survived by sons Sean and Heath, and numerous grandchildren.